Beggar with Oysters (Philosopher)

Description

Along with Beggar with a Duffle Coat, Beggar with Oysters formed part of a series of four paintings collectively called The Philosophers. The title refers to traditional representations of the ancient stoic philosophers, whose poverty was associated with wisdom. The anonymous men in these paintings would have been recognizable to Édouard Manet’s contemporary audience as urban types—social outcasts populating the streets of Paris. By depicting them at such a large scale and set against empty, dark backgrounds, Manet subverted expectations for paint-ing at the time, granting his figures a portrait-like, even heroic presence typically reserved for noble, historical, or religious subjects. Through his format and series title, the artist encouraged viewers to see these often-disregarded people as possessing rare insight.

Provenance

The artist, until 1872; sold to Durand-Ruel, Paris, January 1872, for 1,000 or 1,500 francs [per Durand-Ruel and Durand-Ruel, 2011, 284–85]; sold to Jean-Baptiste Faure (d. 1914), Paris, November 13, 1882, along with two other paintings for 5,750 francs (known as “Philosophies”) [per the Durand-Ruel, Paris, stock book for 1877 (as no. 1189) and in the stock book for 1880–84 (as no. 1171, Le Mendiant, and also as no. 2628, Le Philosophe); copy of archival reference in curatorial object file]; sold to Durand-Ruel, Paris, October 16, 1894, for 10,000 francs [this and the following per Durand-Ruel, Paris, stock book for 1891 (no. 3136); copy of archival reference in curatorial object file]; sold to Arthur Jerome Eddy (d. 1920), Chicago, October 16, 1894, for 20,000 francs; by descent to Mrs. Arthur Jerome Eddy (née Lucy C. Orrell) and Jerome O. Eddy, Chicago, by 1920; bequeathed to the Art Institute of Chicago, 1931.

Beggar with Oysters (Philosopher)

Édouard Manet

1865–67

Accession Number

8969

Medium

Oil on canvas

Dimensions

188 × 111 cm (74 × 43 5/16 in.); Framed: 223.3 × 145.5 × 17.5 cm (87 7/8 × 57 1/4 × 6 7/8 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Arthur Jerome Eddy Memorial Collection

Background & Context

Background Story

Édouard Manet's "Beggar with Oysters (Philosopher)" (1865–67) is an oil on canvas that depicts a beggar or street philosopher with oysters—a humble meal contrasted with the dignity of the figure. The painting belongs to Manet's series of works depicting the marginal figures of Parisian society: beggars, ragpickers, and street performers. These subjects reflected Manet's commitment to painting modern life in all its aspects, including its harsh realities. The title "Philosopher" suggests that the beggar, despite his poverty, possesses a wisdom that transcends his circumstances. The oysters, a food associated with both poverty and luxury, add a note of ambiguity. Manet's handling is bold and direct, the figure emerging from a dark background with the strong chiaroscuro that shows his debt to Velázquez and Ribera. The palette is limited but rich, with warm flesh tones against dark shadows. This painting dates from the same period as Manet's most ambitious works, when he was consolidating his position as the leader of the avant-garde and challenging the conventions of academic painting.

Cultural Impact

Manet's paintings of Parisian beggars and street people were part of his broader project of depicting modern life in all its aspects, challenging the academic hierarchy that reserved high art for noble subjects.

Why It Matters

This painting of a beggar with oysters elevates a marginal figure to the dignity of a philosopher, the Spanish-influenced chiaroscuro and bold handling transforming a street scene into a meditation on poverty and wisdom.