Young Girl with Braids

Provenance

Sold by Dalzell Hatfield, Los Angeles, to the Art Institute, 1945

Young Girl with Braids

Henri Matisse

c. 1916

Accession Number

53225

Medium

Brush and black watercolor on ivory wove paper

Dimensions

56.5 × 37.5 cm (22 1/4 × 14 13/16 in.)

Classification

pen and ink drawings

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Anonymous gift

Background & Context

Background Story

This 1916 drawing of a young girl with braids belongs to the most austere phase of Matisse's career, when the First World War had forced him to abandon the bright Fauve palette for a more restrained, almost monochromatic approach that emphasized line over color. The figure is rendered in brush and black watercolor on ivory wove paper, the broad, confident strokes reducing the child's features to essential curves and rhythms. The braids themselves are the structural center of the composition, two dark verticals that frame the face and lead the eye downward to the simplified shoulders and chest. Matisse's treatment of childhood subjects during the war years carries special poignancy: the braids suggest vulnerability and innocence in a period when children across Europe were being orphaned by artillery and gas. Yet the drawing avoids sentimentality; the child's expression is neutral, almost abstract, more interested in formal relationships than in emotional appeal. The technique of brush and black watercolor was one that Matisse used frequently in this period, combining the precision of ink with the fluidity of wash. The scale—over 56 centimeters high—makes the drawing unusually monumental for a single-figure study, suggesting that Matisse considered these wartime works to be fully realized statements rather than preparatory sketches. Art historians have connected this drawing to Matisse's broader investigation of "the geometry of the arabesque" during the 1910s, in which continuous flowing line replaced the broken brushwork of his Fauve period. The influence of Ingres's smooth contour drawing is visible, though Matisse's line is more spontaneous, more responsive to the living presence of the model.

Cultural Impact

This wartime drawing shifted Matisse from Fauve color to Ingresque line, monumentalizing childhood innocence through black watercolor arabesques that influenced mid-century graphic design.

Why It Matters

It matters because Matisse drew a girl's braids as if they held up the world—proving that one black brushstroke could carry the weight of a war.