Black Cross, New Mexico

Description

“For me, painting the crosses was a way of painting the country,” recalled Georgia O’Keeffe about the series of compositions featuring Catholic crosses that she created upon visiting the Southwest in 1929. In Black Cross, New Mexico, she contrasted the handmade cross, magnified in scale and isolated flat against the picture plane, with the distant brilliance of the sunset behind the rolling hills. O’Keeffe’s cross paintings helped cement her association with New Mexico, to which she would return every summer until she moved there permanently in 1949. The Art Institute organized her first major museum retrospective in 1943, and purchased this painting at the time.

Provenance

Georgia O’Keeffe (1887–1986), New York and New Mexico; with An American Place, New York, by 1943; sold to the Art Institute of Chicago, 1943.

Black Cross, New Mexico

Georgia O'Keeffe

1929

Accession Number

46327

Medium

Oil on canvas

Dimensions

99.4 × 76.2 cm (39 1/8 × 30 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Art Institute Purchase Fund

Background & Context

Background Story

Georgia O'Keeffe's "Black Cross, New Mexico" (1929) is an oil on canvas that captures the stark beauty of the New Mexico landscape and the spiritual symbolism of the Christian cross. O'Keeffe (1887–1986) first visited New Mexico in 1929 and was immediately captivated by the landscape, the light, and the culture of the region. The black cross—likely a variation of the crosses erected by Spanish Catholic missionaries—stands against a landscape of hills and sky, its dark form creating a powerful silhouette. O'Keeffe's treatment is characteristically simplified and monumental: the cross is reduced to its essential form, the landscape is suggested with broad areas of color, the composition is bold and direct. The painting reflects O'Keeffe's interest in the spiritual dimensions of the New Mexico landscape and the symbols of faith that marked its terrain. The black cross against the desert landscape becomes a symbol of both religious faith and human presence in the vastness of nature. This painting was one of the first works O'Keeffe produced after her initial visit to New Mexico and helped establish the direction of her later career.

Cultural Impact

O'Keeffe's New Mexico paintings transformed the American landscape tradition, finding a new vocabulary of form and color to capture the stark beauty of the desert Southwest.

Why It Matters

This painting of a black cross against the New Mexico landscape captures O'Keeffe's ability to find profound spiritual meaning in the stark forms of the American desert, the simplified composition creating an image of austere beauty.