By-Products Plants

Description

While studying art in Italy and France from 1909 to 1913, Joseph Stella was captivated by Italian Futurism, a movement that employed Cubism’s fragmented forms to express the mechanization and speed of modern life. After he returned to the United States, Stella used Futurism to convey the dynamism of American industry in paintings such as By-Products Plants, which depicts the factories that extract ammonia, tar, and light oils when coal is burned. Such mechanical processes fascinated Stella, and he later recalled, “opposite my studio was a huge factory . . . towering with the gloom of a prison. At night fires gave to innumerable windows menacing blazing looks of demons.” Stella invested his factory paintings with this sense of eerie mystery.

Provenance

Noah Goldowsky, Chicago, by 1954; given to the Art Institute of Chicago.

By-Products Plants

Joseph Stella

1923–26

Accession Number

84228

Medium

Oil on canvas

Dimensions

61 × 61 cm (24 × 24 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Mr. and Mrs. Noah Goldowsky in memory of Esther Goldowsky

Background & Context

Background Story

Joseph Stellas By-Products Plants from 1923-26 is an oil painting that depicts the industrial landscape of Americas manufacturing belt with the ornamental precision and chromatic intensity that distinguish his best work, transforming the smokestacks and factories of industrial production into a vision of modernist beauty. Stella, who had celebrated the modern city in his Battle of Lights, Coney Island and the Brooklyn Bridge, turned to the industrial landscape as a subject that allowed him to combine the precisionist vocabulary of geometric forms and sharp edges with the decorative splendor of his Italian Baroque heritage. The by-products plants, factories that convert waste materials into useful products, represent the same process of transformation that Stellas painting effects: the conversion of raw industrial reality into aesthetic vision. The years 1923-26 place this painting in the period when Stella was producing his most accomplished precisionist works, a period that coincided with the height of the precisionist movement in American art. The oil on canvas medium, applied with Stellas characteristic enamel-like surface, gives the industrial forms a clarity and chromatic intensity that transforms the mundane reality of factories and smokestacks into a visionary landscape of geometric beauty.

Cultural Impact

Stellas industrial paintings are significant contributions to the Precisionist tradition in American art, demonstrating that the same decorative vision that illuminated his celebrations of Coney Island and the Brooklyn Bridge could transform the smokestacks of industrial America into objects of aesthetic beauty. By-Products Plants influenced the development of Precisionist and industrial landscape painting.

Why It Matters

A 1923-26 oil painting by Stella depicting industrial by-products plants with precisionist geometric clarity and Baroque decorative splendor, transforming the smokestacks of manufacturing into a visionary landscape of modernist beauty.