Accession Number
74701
Medium
Watercolor and gouache on ivory wove paper
Dimensions
64.6 × 100.4 cm (25 7/16 × 39 9/16 in.)
Classification
watercolor
Credit Line
Olivia Shaler Swan Memorial Collection
Background & Context
Background Story
"Autumnal Storm" is a 1948 watercolor by Charles Ephraim Burchfield that captures the American visionary painter in his most dramatically atmospheric mode, the image showing a landscape wracked by autumn weather with the same intensity and emotional directness that characterized all his work. The composition is a wide, horizontal panorama, the sky and the land rendered in the watercolor and gouache on ivory wove paper that create a surface of extraordinary depth and turbulence, the autumn colors—orange, red, and gold—heightened by the dark storm clouds to create an image of seasonal drama and natural grandeur. The 1948 date places this work in the period of Burchfield's mature visionary style, when he was producing the large-scale watercolors that synthesized his early observation of nature with his later symbolic and expressive ambitions. Art historians have connected this painting to the broader tradition of the storm landscape in American art, from the Romantic tempests of Cole to the modernist weather of Hopper, noting that Burchfield's treatment is more visionary, more focused on the emotional and spiritual content of the storm than the meteorological accuracy or the social isolation of these other traditions. The work also demonstrates Burchfield's mastery of watercolor as a medium for bold, dramatic effects: the fluid washes and the opaque gouache create a surface of extraordinary tonal range and atmospheric intensity.
Cultural Impact
This 1948 watercolor made autumn storm visionarily dramatic through wide horizontal orange-red-gold watercolor-gouache turbulence, using mature visionary synthesis to transform natural weather observation into spiritual emotional grandeur beyond Cole meteorological Romanticism.
Why It Matters
It matters because Burchfield painted a storm in autumn and made the paper feel like it was shivering—proving that even weather could have a soul if the watercolor was fierce enough.