People, Birds, and Stars

Provenance

Given by Helen Keeler Burke, Winnetka, Ill., to the Art Institute, 1991

People, Birds, and Stars

Joan Miró

1942

Accession Number

117442

Medium

Black crayon, and charcoal with stumping, with touches of gouache, on ivory wove paper

Dimensions

64 × 49.2 cm (25 1/4 × 19 3/8 in.)

Classification

crayon

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Helen Keeler Burke

Background & Context

Background Story

Joan Miro's People, Birds, and Stars (1942) is a black crayon and charcoal drawing with stumping, with touches of gouache on ivory wove paper. This work brings together the three elements of its title: people, birds, and stars, all rendered in Miro's mature vocabulary of simplified forms and signs. The composition is organized around the relationships between these elements, with the people perhaps reaching toward the birds and stars, or the stars illuminating the scene below. The black crayon and charcoal provide rich, dark tones, while the stumping creates soft transitions. The touches of gouache add accents of color. The ivory wove paper provides a warm, smooth ground. This work dates from 1942, during World War II, when Miro was living in exile in Palma de Mallorca. The combination of people, birds, and stars suggests a yearning for connection and transcendence, a vision of a world where human, animal, and celestial realms are united.

Cultural Impact

Miro's works of the war years demonstrate the persistence of his poetic vision in the face of historical catastrophe, creating a world of imagination that transcended the horrors of the time.

Why It Matters

This drawing of people, birds, and stars creates a poetic vision of connection between the human, natural, and celestial realms, Miro's simplified vocabulary transforming the world into a configuration of signs.