Head of a Bishop

Provenance

Valentine; Valentine (according to departmental card)

Head of a Bishop

Anton Raphael Mengs

third quarter 1700s

Accession Number

1954.680

Medium

red and black chalk

Dimensions

Sheet: 35.2 x 25.4 cm (13 7/8 x 10 in.); Secondary Support: 35.2 x 25.4 cm (13 7/8 x 10 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

The Norweb Collection

Tags

Drawing Baroque (1600–1750) German

Background & Context

Background Story

Head of a Bishop is a preparatory drawing by Mengs in red and black chalk—a combination that allows the artist to build up tonal values in two registers: the warm tones in red chalk and the cool tones in black. Mengs's preparatory drawings were central to his working method because his neoclassical compositions required meticulous planning before the painting was begun. The head study demonstrates the careful observation and controlled execution that Mengs brought to every aspect of his work, from the overall composition to the individual heads that populate it.

Cultural Impact

Mengs's chalk drawings are important documents in the history of neoclassical drawing practice because they demonstrate the meticulous preparation that underlay his apparently effortless neoclassical compositions. The combination of red and black chalk was a standard preparatory medium for 18th-century history painters, and Mengs's handling of it shows the careful tonal planning that went into every head in his finished paintings.

Why It Matters

Head of a Bishop is Mengs's neoclassical preparation in action: red and black chalk building up tonal values in two registers, the warm and the cool, for a head that will appear in a finished painting with the compositional clarity and emotional restraint that define Mengs's neoclassical approach. The drawing demonstrates the meticulous planning behind the apparent effortlessness.