The Kitchen of the Rôtisserie des Deux Paons

Provenance

Collection Henri Daher, Paris and Marseilles. Paul Rosenberg, New York. Sold to Leonard C. Hanna Jr., 4 February 1955. Bequeathed to the CMA in 1958.

The Kitchen of the Rôtisserie des Deux Paons

Adolphe Monticelli

c. 1875–1881

Accession Number

1958.40

Medium

oil on wood panel

Dimensions

Unframed: 44.3 x 61.2 cm (17 7/16 x 24 1/8 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Bequest of Leonard C. Hanna Jr.

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Panel Painting French

Background & Context

Background Story

The Kitchen of the Rôtisserie des Deux Paons (Roastery of the Two Peacocks) is one of Monticelli's most distinctive genre subjects: a kitchen scene rendered with the same rich impasto that he applied to his landscapes and fêtes champêtres. The kitchen — with its roasting meats, its copper pots, its bustling cooks — is a subject that invites Monticelli's appetite for color and texture. The food, the cookware, and the firelight are all painted in thick strokes that make the kitchen feel as rich and satisfying as the food it produces. The wood panel support gives the paint a warmth that enhances the subject's culinary warmth.

Cultural Impact

Monticelli's kitchen scenes are among his most original works, connecting the tradition of Dutch and Flemish kitchen still-life painting to his own distinctive style. Where the Dutch kitchen painters (like Pieter Aertsen) emphasized the abundance and variety of food, Monticelli emphasizes the color and texture of the cooking process itself — the firelight, the steam, the gleam of copper — transforming the kitchen into a purely visual experience that is as much about paint as about food.

Why It Matters

The Kitchen of the Rôtisserie des Deux Paons is Monticelli's appetite made visible: food, fire, copper, and steam all rendered in thick, rich paint that makes cooking look like the most sensuous activity in the world. The kitchen is not just a workplace — it is a feast of color, and Monticelli is the chef who serves it.