Listening Angel

Provenance

James Jackson Jarves, New York, before 1883; Mrs. Liberty E. Holden, Cleveland, 1884. Holden Collection, 1916.

Listening Angel

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16th century

Accession Number

1916.965

Medium

oil on canvas

Dimensions

Unframed: 59.6 x 49.5 cm (23 7/16 x 19 1/2 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Holden Collection

Tags

Painting Renaissance (1400–1599) Oil Painting Canvas

Background & Context

Background Story

Listening Angel from the 16th century is an anonymous Italian sculptural work depicting an angel in the elegant, graceful manner that distinguishes the best Italian sculpture of the High Renaissance and Mannerist periods. The 16th century date places this in the period when Italian sculpture was producing some of its most accomplished work in the elegant, graceful manner that distinguishes the High Renaissance and Mannerist traditions, and the listening pose of the angel shows the elegant, graceful treatment of the figure that is characteristic of the period.

Cultural Impact

Listening Angel is important in the context of Italian 16th-century sculpture because it demonstrates the elegant, graceful treatment of the figure that distinguishes the best sculpture of the High Renaissance and Mannerist periods. The listening pose of the angel—combining the elegant treatment of the figure with the devotional subject—shows the combination of grace and devotion that is characteristic of 16th-century Italian sculpture.

Why It Matters

Listening Angel is anonymous Italian 16th-century sculpture: an angel rendered in the elegant, graceful manner that distinguishes the best sculpture of the High Renaissance and Mannerist periods. The listening pose shows the combination of grace and devotion that is characteristic of 16th-century Italian sculpture.