Ducks and Reeds

Provenance

Purchased by Langdon Warner [1881-1955], as agent of the Cleveland Museum of Art (1917); The Cleveland Museum of Art, Cleveland, OH (1917-)

Ducks and Reeds

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early 1600s

Accession Number

1917.104

Medium

hanging scroll; ink on paper

Dimensions

Including mounting: 19.2 x 39.1 cm (7 9/16 x 15 3/8 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Worcester R. Warner Collection

Tags

Painting Baroque (1600–1750) Ink Paper

Background & Context

Background Story

Ducks and Reeds from the early 1600s is an anonymous Japanese painting depicting ducks among reeds in the ink and color manner that distinguishes the best Japanese bird and flower painting of the early Edo period. The subject of ducks and reeds—combining the observation of nature with the philosophical ideal of retirement from the world—was one of the most traditional in Japanese painting, and the early 1600s date places this in the early Edo period when Japanese painting was developing its distinctive relationship with nature.

Cultural Impact

Ducks and Reeds is important in the context of Japanese bird and flower painting because it demonstrates the ink and color manner that distinguishes the best Japanese painting of the early Edo period. The subject of ducks and reeds—combining the observation of water birds with the atmospheric rendering of reeds and water—was one of the most traditional in Japanese painting, and the early 1600s painting shows this tradition at its most naturalistic and atmospheric.

Why It Matters

Ducks and Reeds is an anonymous early Edo bird and flower painting: ducks among reeds rendered in the ink and color manner that distinguishes the best Japanese painting of the period. The early 1600s painting shows the naturalistic observation of water birds combined with atmospheric rendering.